Ben Boothby’s paintings are built from memories of architectural moments.
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Celeste Henriquez’s gestural paintings are built from memories and relationships, internal and external.
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Geoff Masland is interested in the tension between absence and presence, and the paradox of emptiness within excess.
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Dean McCrillis’s paintings are a bridge between natural history and personal history and, at their core, are compelled by both memory and discovery. It is a confluence of sorts
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