Much of Walker’s work of the last 20 years is based on the coast of Maine, where the artist lives. These abstract landscapes oscillate between spontaneity, and a decidedly conscientious approach to shaping the architecture of the canvas.
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While creating something very intimate, I want the viewer to experience and find their own voyage in the work. Returning to the foundations of painting gave me the chance to engage in a dynamic visual dialogue through a variety of materials and media.
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Making objects provides a reliable framework for my thinking. It encourages me to find the space between mind and body, head and hand, to think without words and to work with focus and intention.
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I look for moments in my day that take my breath away. Something I see on a walk, a doodle in my sketchpad, an idea I wake up with, some discovery while weaving.
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Through drawing and collage, I work towards a simple expression of what I am seeing and feeling. Abstracting space through color and mark is what keeps me engaged with painting.
Image: Adrianne Mathiowitz Photography
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I create by translating Old Master paintings into a contemporary visual language.
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Kathleen is an artist who lives and maintains her studio in the Mid-Coast area of Maine. She has worked with a wide range of materials and formats, including large environmental installations and community-based projects.
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Stephanie Rayner is a professional artist and international lecturer whose work deals with the great theme of our age: The transformation of our spirituality by the revelations of science and technology - a theme that addresses the deep need of our time and elicits powerful responses from viewers.
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Alison Hildreth incorporates ideas from research in cartography, astronomy, environmental studies, history, philosophy, and literature as a launching pad into her work, but many of her ideas come from walking and daydreaming.
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Lissa Hunter is a studio artist, living and working in Portland, Maine.
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Roy Germon’s landscapes convey a peaceful mood and the essence of a beautiful natural landscape. His paintings are a celebration of color and texture.
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David Row is an abstract painter and object maker interested in the complex relationship between the viewer and the painted object and in the object’s relationship to the architecture it inhabits.
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Charlie Hewitt is nationally known for his dynamic, imaginative paintings, sculpture, prints, and neon constructions. His work is in the collections of the Metropolitan Museum of Art, Whitney Museum of American Art, the Museum of Modern Art, the Library of Congress, Portland Museum of Art, and Bates College Museum of Art.
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My work has been influenced by abstract expressionism, and minimalist artists, mostly from New York.
~ William Zingaro
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Daniel Minter, known for his work in the mediums of painting and assemblage, often deals with themes of displacement and diaspora, ordinary/extraordinary blackness; spirituality in the Afro-Atlantic world; and the (re)creation of meanings of home.
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Paul Heroux is a ceramic artist in Central Maine with work in the collections of museums throughout New England.
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Munira Naqui’s work is an invitation to begin a visual dialogue; it is a form of language that gives shape to a space for contemplative engagement.
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Hungarian-born Maine resident, Miklos Pogany was a master of multiple media, creating vivid works based on nature and the built environment, exploring and pushing the parameters of each medium.
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With a remarkably accomplished career spanning seven decades, Harold Garde has made a significant, if often under-recognized contribution to Post-War American art.
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In unmistakable fashion, Tom Hall captures the rugged, haunting beauty of the Maine landscape. Whether pristine or impacted by human hands, Hall emotionally conveys the true spirit of the place depicted.
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