Making objects provides a reliable framework for my thinking. It encourages me to find the space between mind and body, head and hand, to think without words and to work with focus and intention.

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I wanted to make art devoid of deadlines, responsibilities, self-criticism, fashion and history. I stumbled onto a spontaneous process that keeps me present, floating joyfully. The first brushstroke is the only one I plan. My subconscious leads me after that. If I begin to feel impatient or unsettled, I stop there.

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I look for moments in my day that take my breath away. Something I see on a walk, a doodle in my sketchpad, an idea I wake up with, some discovery while weaving.

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