Crystal Cawley’s work combines her interests in the form and history of clothing and the possibilities of paper and fabric sculpture with traditional handiwork like embroidery, spinning, and letter press spinning. Starting with something tangible, such as a box of old greeting cards or puzzle pieces, Cawley incorporates the visual history of the discarded objects into something beautiful and new.
Read MoreIn a career lasting over 50 years, Frederick Lynch’s work began with the observed world and then delved deep into the underlying structures below surface appearances. He lived in Maine for 44 years, teaching at the University of Southern Maine. In 2005, the Farnsworth Art Museum exhibited a 20-year survey of his work, and his work is in numerous public and private collections, including the Portland Museum of Art.
Read MoreAn artist for over 40, Lesia Sochor began her Threads series in 2007 when she was inspired by wooden spools of thread connecting her to her female ancestors. This work evolved into her Bodice and Mannequin series as well as the other work included in our “Sartorial Self” exhibition.
Read MoreAn ardent environmentalist and lover of living creatures, Gin Stone uses hand-dyed reclaimed longline fishing gear to create “humane taxidermy.” By bringing the recovery and recycling of use North Atlantic fishing gear to the creation of her sculptures of unusual creatures and otherworldly chimera, she hopes to put a spotlight on the collaboration of science, sustainable fishery practices, and creativity.
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