My work is a meditation on how history is imprinted on place and on the body, both the collective and individual body. It is an inquiry into what it means to be a biopolitical subject in ‘the news’, and then what is left (in memory, in print) when the cycle has moved on.
Read MoreMy works in Diagonal Latitudes fall between 2D and 3D expressions (my sculptures are flat, my works on paper are sculptural) and stylistically between the decorative and fine arts.
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