Manifold
Harold Garde, Paul Heroux, George Mason
March 28 - May 25, 2024
Featured Artists
About the Show
Featured
George Mason has a background in ceramic architectural tile and his work is steeped in the exploration of materials and history.
Paul Heroux is a ceramic artist in Central Maine with work in the collections of museums throughout New England.
With a remarkably accomplished career spanning seven decades, Harold Garde has made a significant, if often under-recognized contribution to Post-War American art.
There is one space only, though we may conceive of many different manifolds, which are contrivances or ideal constructions invented for the purpose of determining space.- Paul Carus
Manifold combines the work of three artists working in very different and non-traditional ways. George Mason uses hydrocal plaster and burlap to create stunning works that at once feel familiar (perhaps somewhere between a quilt and a tapestry) but are unmistakably his own. Paul Heroux’s pieces are soda-fired stoneware, incorporating decals and fused photo images, often in asymmetrical shapes with unexpected angles and curves. As with Mason’s work, there is a familiar feel in stoneware, but it is molded into unique and surprising objects. Harold Garde’s contribution to the show is his strappos — a process that he pioneered. Acrylic paint — a familiar medium — is painted in reverse on a plate of glass, allowed to dry, then transferred onto a substrate (paper, panel, or canvas). The process gives the acrylic paint a unique appearance as does Garde’s inimitable vision and creativity.
These three artistic processes have nothing in common, yet artistic bonds are immediately apparent in the exhibition. In a certain sense, this should not be surprising. After all, art — in general — is an idealized depiction of an underlying reality. The depictions and approaches may vary but the base reality does not. Three artists may work in entirely different media, employing their own unique methods, yet still reach a complementary visual language. Their approaches are manifold, but the result is a harmonized construction of reality.
Preview the Exhibition
(CLICK IMAGE TO ENLARGE; CURSOR OVER ENLARGED IMAGE FOR DETAILS)
View fullsize
Paul Heroux, Large Jar (2023)
View fullsize
Paul Heroux, Storage Jar 1 (2023)
View fullsize
Paul Heroux, Storage Jar 2 (2023)
View fullsize
Paul Heroux, Folded Vase 1 (2023)
View fullsize
Paul Heroux, Folded Vase 2 (2023)
View fullsize
Paul Heroux, Folded Vase 3 (2023)
View fullsize
Paul Heroux, Folded Vase 4 (2023)
View fullsize
Paul Heroux, Covered Box (2023)
View fullsize
Paul Heroux, Large Plate 1 (2021)
View fullsize
Paul Heroux, Large Plate 2 (2021)
View fullsize
George Mason, Pageant
View fullsize
George Mason, Avalon Group: With Two Openings
View fullsize
George Mason, Warm Tone with Gold Leaf (Companion)
View fullsize
George Mason, Warm Tones with Gold Leaf
View fullsize
George Mason, Sheer
View fullsize
George Mason, Sheer Companion
View fullsize
George Mason, Bright Companion
View fullsize
George Mason, Empire
View fullsize
George Mason, Untitled with Grey Band
View fullsize
George Mason, Untitled with Open Lattice
View fullsize
George Mason, Pair with Texture
View fullsize
Harold Garde, Two Profiles (1992)
View fullsize
Harold Garde, Untitled (Work on Paper No. 151)
View fullsize
Harold Garde, Untitled (Work on Paper No. 1062)
View fullsize
Harold Garde, In the Shape of the Silk Kimono (1994)
View fullsize
Harold Garde, The Shape of the Silk Kimono (1994)
View fullsize
Harold Garde, In the Shape of the Kimono (1996)
View fullsize
Harold Garde, Untitled (Yellow Kimono) (2013)
View fullsize
Harold Garde, Untitled (2013)
View fullsize
Harold Garde, Untitled (Work on Paper No. 324)
View fullsize
Harold Garde, Portrait With Hat (2000)
View fullsize
Harold Garde, Untitled (2013)