Loomings
Christopher Volpe
December 7, 2023 - January 27, 2024
Artist Talk: Thurs., Jan. 11, 6 pM
About the Show
“Loomings” is named after the first chapter in Moby-Dick, revisited as a cautionary, apocalyptic vision of the American quest. The tar, a byproduct of fossil fuel refining, carries an undertone of industrialism. The imagery reflects cosmic, elemental forces beyond human understanding or control. Stabilized with chemical driers, the tar is dry and odorless in the completed paintings.
“Why tar? It’s toxic, an alchemical base matter, and it’s a fossil fuels by-product, both organic and industrial,” Volpe says. “Tar is the earth, it’s ancient life, primal material from millions of years of prehistoric time, and it is central to our story right now, in our own time in history.”
Volpe relocated from his native Long Island to earn a master’s degree in poetry from the University of New Hampshire. He turned from literature to painting during a stint teaching college art history and quickly made visual art his central pursuit.
“As a painting medium, tar magnifies painting’s basic challenge: to transform the material into the immaterial,” Volpe says. “Can I wrench and charm this poisonous muck into something meaningful, even something beautiful and poetic?”
Titled with quotes from Moby-Dick, the paintings suggest parallels between the fate of Ahab’s doomed whaling ship, the Pequod, and the world’s stubborn pursuit of fossil fuel energy at all costs.
“Melville created art in the mid-1800s that raises profound questions about the story of humanity itself and still serves as a devastating critique of the nation we’ve made,” Volpe says. “Melville had a very modern sense of human folly. I hope Loomings invokes Moby-Dick as a evocation of the limits of human knowledge as well as a cautionary, foundational myth for our own age of accelerating climate change and social disruption.”
Preview the Exhibition
(CLICK IMAGE TO ENLARGE)
