The Sensuous Line
June 23, 2021 - August 6, 2022
About The Show
Line is a point moving on a surface or in the air. It is the simplest mode of visual communication we have. Images, words, maps, plans…all use line to tell us something.
“There are no lines in nature, only areas of color, one against another,” said Edouard Manet. We humans create the line between those areas of color in our brains, as a way of discerning shape. If the lines remained, we could do without the colors, though we would be much poorer for the loss. We sense the lines that are not there.
Artists, of course, use line all the time to register what they see in sketches, to plan what they are creating in layouts, to simplify a form or to create mass and tone in drawing. Some use dry mediums, some wet mediums. Some use linear materials as the substance of their work. So long as the mark or element is longer than it is wide, we see it as a line.
In The Sensuous Line, you will see line as thread, support, mark, stitch, object, information, cut, gesture, structure and plain old drawing. Something so simple communicates much when wielded by these ten artists. It is hoped that after encountering this work you will see line in the world in a new way, in unexpected places as well as everyday contexts.
- Lissa Hunter, Curator
Featured Artists
The underlying focus of my work is the use of line in its many manifestations. I’m fascinated by how lines loosely layered horizontally can evoke water, and if you flip that drawing 90˚ it is like the bark of trees.
The pieces in the show are part of a series titled “Lines”, inspired by the layered, dense, chaotic lines of nature and their underlying patterns and geometry.
Simons is recognized as a Distinguished Alum from the Institute for Civic Leadership (2008), and he has served as a design critic at the University of Pennsylvania, Harvard University, and Northeastern University.
Most of the lines I use support the paper for strength. I am currently using line in a more sensuous way. The modules are curved, but the final configuration does not have a bilaterally symmetrical form.
For the past nine years Daniels has concentrated on fiber or textile art which happily for her is breaking the boundaries between fine art and craft.
I work concurrently on a range of ideas in a variety of media. I grew up in a military family, as part of an invisible rootless tribe. The way I work reflects my nature and my nurture.
Ellen Wieske is an artist who works in many materials. Primarily a metalsmith she worked in the Detroit jewelry industry for 18 years as a jeweler/stone setter/designer.
I allow what comes naturally to my hand with the brush or blade. Pushing and pulling the paint to give it space and atmosphere until it pleases me.
Spencer has worked in a variety of media, including watercolor, acrylics, and oils. She is also a printmaker and a co-founder of the Peregrine Press, a printmaking cooperative in Portland.